
Genesis Owusu’s ‘Redstar Wu’: The Sonic Chaos That Defines 2026
Genesis Owusu’s latest, ‘Redstar Wu & The Worldwide Scourge’, drops this Friday, a maximalist, urgent protest record for a world in turmoil.

Genesis Owusu’s latest, ‘Redstar Wu & The Worldwide Scourge’, drops this Friday, a maximalist, urgent protest record for a world in turmoil.

Fat Dog’s new single “Go Fuck Urself” subverts expectations, delivering a synthpop banger wrapped in a defiant dance-punk spirit.

Lykke Li’s sixth album strips away the excess to deliver a visceral, honest portrait of 4am existentialism and the moments before consequences arrive.

Isaiah Rashad’s ‘It’s Been Awful’ offers a brutally honest, yet musically transcendent, look at life’s struggles in 2026.

Friko grapple with fame’s double-edged sword on their potent new album, ‘Something Worth Waiting For’.

Kacey Musgraves strips back the production and reclaims her outlaw country roots on her seventh album, a grounded masterclass in artistic reinvention.

Dave Grohl’s 12th Foo Fighters album ditches the experimentation of recent years, channelling the raw punk fury of their self-titled debut with explosive results.

Tom Rowlands and Aurora forge an intoxicating new sound that feels destined for festival fields and dancefloors across 2026.

Cameron Picton’s debut with My New Band Believe is an ambitious, richly layered album that proves experimental vision doesn’t need to collapse under its own weight.

Earl Sweatshirt and MIKE’s sprawling 33-track opus finally delivers the introspective rap collaboration seven years in the making.